|   A COLORADO RIVER RUN 
              By Tom Pamperin 
             
              Prologue: The Magic of  Rivers 
              Read Tom's Triplog 
Name  a river and you name an adventure, a journey into the heart of whatever lies  waiting just ahead, around the next bend. A trip down a river is an entry into  another kind of world, a sly meandering timeless world that hides the best of  itself from the land it runs through and the people living along its banks. That  is the magic of rivers, the source of their enduring appeal. For anyone with a  boat and a set of oars or paddles, even the humblest local streams run strongly  enough to pull us well out of reach of calendars and schedules, if only for an  afternoon: Paint Creek. The Little Wolf. The Rat. The Fox. The Kickapoo. 
But  there are rivers, and then there are rivers.  
And  in the West, no river has a greater claim on our dreams than the Colorado.  Threading its way through the endless canyons and buttes and spires of the  Southwest, the Colorado is an icon or an archetype as much as it is a river. Since  John Wesley Powell’s 1869 expedition (and even before then), a trip down the  Colorado has been a siren song, and the country it traverses has become a  symbol of a wildness as rare as it is valuable, a litany of what might have  been, and a record of what yet remains. Glen Canyon. The Gates of Lodore. Cataract  Canyon. Grand Canyon. But the stretches still undammed are places you can’t  see, can’t really know, until you’ve  run the river and looked up at the towering walls from a boat, scrambled up  side canyons and walked along narrow beaches, rather than just looking down on glimpses  of the river from a distant parking lot. 
To  see the river and the canyon country it passes through on their own terms as  much as possible—that, for me, is the lure of the Colorado. But I’ve never run  real whitewater, never invested the time and gear to learn the language of  rivers like this, rivers which, in their rushing descent through millions of  years of geology have carved spectacular rifts and canyons—canyons which  squeeze the water into narrow fast-moving chutes and rapids. 
Big  rapids, some of them.       
*** 
I  met Dave Mortenson at the Port Townsend Wooden Boat Festival in September of  2011. He was sitting in the shade of a couple of odd-looking garishly painted  little red-white-and-blue rowboats, fully decked double-enders with flat  bottoms and little rocker. They were loaded on two trailers, side by side, with  Dave in a folding chair between them. I walked by him a few times, actually,  glancing at the boats without saying anything. Bigger fish to fry. Gaff schooners.  Oughtred yawls. Elegant faerings and sprit-rigged longboats. John Welsford and  his SCAMP. 
Finally,  though, I took a closer look, curious about what they were. Expedition  rowboats? With their large sealed chambers, you’d have good flotation and room  to store plenty of gear. They seemed heavily built for that, but I couldn’t  come up with anything more likely. Turns out, though, that they were whitewater  boats, replicas of historical designs created in the 1950s by Grand Canyon  river runner Pat Reilly.  
  
    It’s a replica  of the Flavell, which was designed and built by 1950s river runner P. T. “Pat”  Reilly. Reilly named the boat after George Flavell, who (along with Ramon  Montez in 1892) is credited for inventing the stern-first rowing style that  lets today’s river runners face the rapids they’re trying to run.  | 
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    And another Reilly replica: the Susie R, named for Pat Reilly's wife. Both boats have lots of flotation, and feature the original paint schemes designed by Disney artist Harper Goff in the 1950s.  | 
   
 
I  spent a while talking to Dave Mortenson. His father had been on some of those  1950s trips, and Dave himself had run the Colorado through Grand Canyon in the  early 60s, when the river was still wild—the days before Glen Canyon Dam. That  early exposure had quite an impact, apparently; Dave Mortenson has been  exploring Grand Canyon ever since, pioneering new hiking routes and running the  river’s rapids. He was actually at Port Townsend to show the documentary he’d  filmed about a 2011 run through Grand Canyon in the replica boats, he told me. 
And  so by stopping to ask Dave Mortenson about his boats, I had stumbled across a  small and interconnected world of Grand Canyon explorers and river rats. Fascinating  stuff. And even better, a few months later, Dave invited me to run Grand Canyon  with him in the spring of 2012, accompanying a group of five historic replicas  and five modern rafts. If I was willing to row one of the rafts, there’d be  room for me. 
   
  Yes,  I told him, without even stopping to think about it. I did mention—several  times—that I’d never rowed whitewater before, but that didn’t seem to bother  Dave. 
“The  hardest rapids don’t come until the end of the trip,” he told me. Apparently by  then I’m supposed to know what I’m doing. 
go to Tom's trip log 
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